Does Bottom Hi-Hat Matter?

The weight of the bottom cymbal in your hihats greatly affects the sound. When closed you will get a more defined (sometimes louder) sound. You’re really notice the difference when operated with the foot “chick”, as well as half-opened “sloshy” sound.

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Which hi-hat goes on the bottom?

In case you don’t know, the bottom hi-hat cymbal is generally thicker, and the top one is thinner. By switching them, you can change the way the hats sound and respond, sometimes drastically!

Is the top or bottom hi-hat heavier?

Zildjian hi-hats from the early 60’s. Both cymbals are much lighter than any pair of hats that Zildjian makes today. He has always used the heavier cymbal on top – it just seems to sound better that way. Keep in mind, these are light weight cymbals compared to what can be purchased today.

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Does hi-hat size matter?

Well, the pitch and sound of your cymbal is relative to the size, weight and how the cymbal is made. When it comes to size, smaller Hi Hats like 13″ or 14″ will provide a more bright and crispy tone. If you’re looking for a dark and warm sound, go with a 15″ or 16″ Hi Hat.

Where should my hi-hat be?

Your hi-hat cymbal should be 6″-12″ above the playing surface of the snare drum. You should be able to strike the flat playing surface or edge of the hi-hat cymbal without hitting the snare drum. Be aware that moving the hi-hat stand will alter the symmetry of the tripod forming the foundation of your posture.

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Why do they call it a hi-hat?

Hi-hats were so called because they were “high” compared to the then standard low-boy. The opening and closing resembled someone lifting their top hat. Snare wires come from the snares used to snare small game.

Should I put reverb on hi hats?

Adding some modulation or reverb to the white noise sample will improve high-end detail as well. Another trick to excite filtered hi-hats is to slap on some saturation or distortion.

What is best size for hi-hat cymbals?

If you are looking for a higher pitch, we recommend choosing a pair of 13” hi-hat cymbals. These hi-hats usually work well in gospel, fusion, and funk music. Alternatively, 15” or 16” hi-hats provide a much deeper sound with more sustain, which many people prefer when playing rock and jazz music.

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What are the best hi-hat cymbals?

7 Best Hi-Hats for 2022

  • 1 Paiste Formula 602 Modern Essentials Hi Hat Cymbals 15″: Best Hi-Hats for Versatility.
  • 2 Paiste Signature Dark Crisp Hi-Hat Cymbals 14″: Best Hi Hats for Recording.
  • 3 Zildjian A Avedis Hi Hat Cymbals 14″: Best Vintage Hi Hats.
  • 4 Zildjian K Sweet Hi Hat Pair 14″: Best Hi Hats for Value.

Are bigger cymbals louder?

Cymbal size refers to the overall diameter of a cymbal. Larger cymbals generally have more volume, longer sustain and slower response than smaller cymbals. Bigger Cymbals = Increased Volume, Slower response, and Longer Sustain. Smaller Cymbals = Lower Volume, Faster Attack and Faster Decay.

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How do I pick the right cymbals?

A general rule is the thicker the cymbal, the higher the pitch. If you’re playing a lot of rock music, a thicker cymbal may withstand the loud crashes better than a thinner cymbal (although the latter has more flexibility).

Why were top hats so popular?

As part of traditional formal wear, in popular culture the top hat has sometimes been associated with the upper class, and used by satirists and social critics as a symbol of capitalism or the world of business, as with the Monopoly Man or Scrooge McDuck.

How tight should hi-hat clutch be?

A little loose gives a good “wash” too, when you want it. Rub your palms together…the looser you have the hats, the more of THAT action between the cymbals you get. The tighter the hats, the more the edges will stay in line with each other, and the result is more “clang” sound.

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Do drummers get RSI?

Drummers. It is not uncommon for drummers to get RSI, particularly in their backs and wrists. To help prevent injury, drummers should study the Moeller method, which will improve a drummer’s technique, particularly in the way they grip the sticks, sit on the drum stool and hit each drum.

How open should hi-hats be?

The Hi-Hat foot should only be raised a little, about an inch, when opened. It is not necessary and in fact incorrect for the foot to be raised any higher than this. All that is required is for the foot to roll back on the pedal a little for the two cymbals to raise and separate.

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What is a sock cymbal?

sock cymbal (plural sock cymbals) A pair of cymbals that can be closed or opened by means of a mechanism, such as a pedal mechanism.

What was the first hi-hat called?

clangers
Initial versions of the hi-hat were called clangers, which were small cymbals mounted onto a bass drum rim and struck with an arm on the bass drum pedal. Then came shoes, which were two hinged boards with cymbals on the ends that were clashed together.

Should hi-hats be in mono?

The kick and the snare should be mono, the open-hats and the toms should be panned, and the closed hi-hats can be both panned and stereo.

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What DB should hi-hats be?

If you absolutely must have a volume level for your hi hats, I would suggest -20 db. But this can vary depending on the artistic effect you’re going for as well as how high the average peak volume of your song is going to be.

Why is it called a china cymbal?

The name “China cymbal” comes from their shape, which is similar to the Chinese Bo. They are most frequently mounted upside down on cymbal stands, allowing for them to be more easily struck and for a better sound.

What size crash cymbals should I get?

The best cymbal size is somewhere between 14″ and 16″. The larger the diameter, the greater the projection of sound. Pay attention to the “bell” or the curved area in the center of your cymbals too – a larger bell will have more projection and be louder.

Does Bottom Hi-Hat Matter?